Mamma’s Moon The Hoodoo of Peckerwood Finch by Jerome Mark Antil Genre: Thriller
“Jerome Mark Antil’s Mamma’s Moon does for Acadiana what Truman Capote did for Tiffany’s or Tennessee Williams did for streetcars. This is a novel about a lot of things, including sex, crime, life, and death. But most of all, it’s a novel about hope and about love. Mamma’s Moon gives the reader a dramatic and insightful glimpse into the very special world of today’s Louisiana French Acadians, whose early tragic history was immortalized by Henry Wadsworth Longfellow in his classic poem, Evangeline, even before the heartless bayou’s more contemporary history was buried deep and forgotten.” Tom Hyman (LA Times bestselling author: writer for LIFEmagazine, The Saturday Evening Post , Argosy, Washington Post Book World and New York Magazine.) This novel, Mamma’s Moon, is a sequel to the novel, One More Last Dance. It stands alone as an entirely self-contained story, but for those of you who may not have read the earlier novel, I include here a brief description of the main characters and of the events that preceded this story. A bond that can only happen on a dance floor happened in a cafe off Frenchman Street among four unlikely characters: a man who was about to die; his friend, an illiterate Cajun French yardman; and two of the most successful women in New Orleans. Aging Captain Gabriel Jordan, retired, was given two months to live, three months before he met “Peck”–Boudreau Clemont Finch–a groundskeeper on the back lawn of his hospice on Bayou Carencro, Louisiana. It was at the hospice that Gabe told Peck his dream of seeing the Newport Jazz Festival before he died. They became friends, and Peck offered to help grant his wish by taking him there. And they began their journey. It quickly became a journey with complications and setbacks. They saved each other many times, but they were in turn saved by two extraordinary women: Sasha (Michelle Lissette), a real estate agent in New Orleans’s posh Garden District, and her best friend, Lily Cup (Lily Cup Lorelei Tarleton), a criminal attorney. Less than a year before the events in Mamma’s Moon, Gabe and Peck wandered into Charlie’s Blue Note, a small jazz bar in a side alley just off Frenchman Street, where the music was live and mellow and the dancing warm and sensual. Here they encountered Sasha and Lily Cup, and amid the music, the dancing, the food, the flirting, and the cigar smoke, the four formed an unusual and lasting friendship that would see them each through a series of crises, disappointments, life-threatening situations, and moments of great joy and satisfaction. Add to GoodreadsAmazon * B&N
JEROME MARK ANTIL writes in several genres. He has been called a “greatest generation’s Mark Twain,” a “write what you know Ernest Hemingway,” and “a sensitive Henry Wadsworth Longfellow.” It’s been said his work reads like a Norman Rockwell painting. Among his writing accomplishments, several titles in his The Pompey Hollow Book Club historical fiction series about growing up in the shadows of WWII have been honored. An ‘Authors and Writers’ Book of the Year Award and ‘Writer of the Year’ at Syracuse University for The Pompey Hollow Book Club novel; Hemingway, Three Angels, and Me, won SILVER in the UK as second-best novel. Foreword’s Book of the Year Finalist for The Book of Charlie – historical fiction and The Long Stem is in the Lobby – nonfiction humor. Library Journal selected Hemingway, Three Angels and Me for best reads during Black History Month. Before picking up the pen, Antil spent his professional career writing and marketing for the business world. In this role, he lectured at universities – Cornell, St. Edward’s, and Southern Methodist. His inspirations have been John Steinbeck, Mark Twain, and Ernest Hemingway. Website * Amazon * Goodreads
Chapter 2 Good Morning, Murder
id you murder the kid, Gabe?” Lily Cup asked. The aging army captain, veteran of Korea and
Vietnam, lowered his newspaper just enough to see over the entertainment page.
“Close the door, honey, AC’s on,” Gabe said.
In a tight, black skirt with a tailored matching waistcoat and white Nike walking shoes, she
leaned and propped a black leather briefcase against the wall by the door. She stood like an
exasperated tomboy, adjusting and refastening the diamond brooch on her lapel.
“I heard you’ve been walking with a cane, dancing man. What’s that all about? You’ve never
carried a cane. You jazz dance for hours a couple of nights a week and Sasha tells me you started
carrying one everywhere you go when you don’t need one. It’s smelling pretty premeditated to me,
Gabe. What’s up with the cane thing?”
“Does Sasha know about this morning?”
“I haven’t told her anything. She’d have a canary.”
Gabe lifted the paper again to read.
“I need to know if it was murder,” Lily Cup said.
“I don’t want to talk about it,” Gabe said.
He closed the paper, folded it in half, and in half again. Dropping it on the arm of the chair, he
stood and left the room.
“Define murder,” he said from the kitchen.