Eternal Victim
author of “The Slender Man” comes a fast-paced,
terrifying tale, filled with gruesome murderers, ghostly
abominations, and a dark puzzle that connects them all to the Witness.
nightmares,
haunted by a mixture of pernicious serial killers and their
imprisoned, undead victims, known as preta. As she wanders through
time and memories shared by the killers and their victims, she fights
to solve the puzzle of their connection to each other and to herself.
Her only hope of salvation lies in connecting key victims to the
souls who can rescue them, thus waking her from the nightmare, but
one killer follows the next, bringing forth a new set of victims, a
new score of preta, and immediately landing her in a new terror.
Dexter is a Southern-born Seattle author
and model. Homeschooled after a
diagnosis of mild Asperger’s, he learned to play to his strengths
as an energetic, creative artist. He began writing at the age of
fifteen, and published his first novel two years later. Outside of
art, Dexter spends his time gaming, studying, and socializing with
other ambitious minds. As an army brat, he attained a pragmatic sense
of discipline that he uses to balance his artistic endeavors with his
academic ones. Dexter’s ultimate goal is to contribute to the
subjugation of humanity by artificial intelligence.
spit-ting up the fetid water I’ve swallowed, then gasp again, finally heaving some stale oxygen into my lungs.
What nightmare is this? I rub the water from the eyes, shivering beneath the icy droplets and frosty air. I just
drowned… in someone else’s body. I stay like that for several minutes, staring at the rusted tub and trying to
force myself to comprehend what just happened. How am I alive? Am I even alive? I finally turn over to see
another sink across from me, a mirror looming above it.
I let out an exasperated breath that seems to fog up the entire room before managing to pull myself upright. I
stand and hobble over to the sink. In the mirror, there is still no reflection. I look back at the bathroom
doorway. The door itself seems to have fallen apart, and a dark passageway stretches into black.
I look back into the mirror. For a moment there is nothing; and then I fall, that silhouette appearing once more.
This time, it doesn’t send the world spinning. I crawl back, all the way to the wall, clutching a hand to my
mouth, though there is no voice, no scream to suppress.
A head emerges from the mirror, then shoulders. Two pallid hands reach out and grab the sink. I close my
eyes, hoping the monster will go away, but when I open them, it—she—stands directly over me. I flinch again,
but when I look back, nothing but a hand is offered.
“Come with me,” she softly instructs.
Hesitantly, I take the hand. As she pulls me to my feet, the light in the room flickers back on, illuminating us
both. Before me is a brown-skinned, black-haired young woman.
Like Ada, Christiana, and me, the bruises and scars along her skin tell the tale of what I can only assume was a
brutal and bloody murder. The dimness in her once-brown eyes betrays no emotion.
“You don’t have a lot left in you. You have to move,” she says.
I take a few breaths, trying initially to respond, but she shakes her head. She knows I am without a voice. I
look toward the doorway and then back to her. She nods.
“You don’t have time to wait here and panic. The killer gets closer with every breath. The closer it is to
finding you, the more the balance is in its favor.”
She flickers, her widening eyes finally betraying the fear within her.
“You can’t let him hurt you again. Not here, not when the balance is this close to darkness,” she explains.
“Witness and learn, and the balance will return to you. Then you can escape.”
The balance? Witness? What?